With each set up I recorded 3 exposures - under 2 stops over 2 stops and correct exposure. In total I shot approximately 80 scenes this way. I shot in sunlight, shadow, overcast, indoor daylight, indoor mixed lighting, controlled studio lighting and all with my trusty Xrite Colour Checker Classic Card and my Xrite Digital Color Checker SG Card. Over the course of a few days, I shot exposure matched test footage with my Alexa mini and a C300 mk3 side by side with matched Sigma Art lenses. While no camera is perfect, personally I find the Alexa’s colour science to be the gold standard in terms natural, accurate and beautiful colours right out of the box as a starting point to grade from. Having recently purchased a C70 myself I decided to develop a LUT to emulate my Alexa mini using the tried and true process I developed with Sony and Blackmagic cameras. Sample footage credit goes to Moc Nguyen.A lot of Canon users have emailed me describing their dissatisfaction with the colours coming out of their camera.
CLOG TO REC709 LUT PRO
These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve. Remember to set correct settings while using RAW footage format. Canon ARRI Film Look has saturated red and film blue and green shade.
Y ou can add some contrast or saturation but it’s on your side. I prepared it so that after aplying to footage recorded in a flat profile on your Canon C70, R5, R6camera, C_log, C-Log2, C_log3 – right away. You can take a look at the comparison bellow. C-log is translated to ARRI’s Log_c color space and gamma with new updated conversion LUT. It maintains the skin’s natural color with a look that is known from arri alexa cameras. I tried to make the most film-like appearance while maintaining the characteristic roll-off and dynamic range. LUTS are dedicated to Canon Cinema Gamut color space profiles.Ĭanon Log – is good when you have mixed footage and using your different Canon cameras.Ĭanon Log2 – has more noise than Clog and Clog3 but has more information in shadows and you can grade it havily.But output is almost identical.Ĭanon Log3 – is some kind of hybrid between clog and clog2, its more contrasty but has lot less noise in the shadows. I think is very good starting point for your color grading. It also works with your CANON C70 Cameras. applying look, which gives even better highlight roll- off Hello Filmmakers! In this package you will find Canon to ARRI Film LUTs custom created by Static Motion. *Sample footage credit goes to Hugo Will Video Demo
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